The Audio Storyteller

Share this post

Walking the tightrope ⚖️

theaudiostoryteller.substack.com

Discover more from The Audio Storyteller

Jobs, tips and ideas for audio producers
Over 1,000 subscribers
Continue reading
Sign in

Walking the tightrope ⚖️

The balancing act of audio interviewing

Clare Wiley
May 9, 2023
1
Share this post

Walking the tightrope ⚖️

theaudiostoryteller.substack.com
Share

The more interviews I do for audio, the more I see that it’s like walking a tightrope. Even more than interviewing for other mediums like print, you’re keeping all these competing elements in mind and trying to achieve some balance.

1) Detail vs Time 

You want your interviewee to give you rich, detailed scene tape with lots of colour and specifics. But you also don’t have all day (probably!) - you need to move the interview along. 

2) Presence vs Structure

Some of the best interviewing comes out of being fully present with your character - attentively listening to what they’re saying and responding like a real human being. Then again, a part of your brain needs to be thinking ahead to the next question, and the overall structure of the interview. This is even more important when you’re working on an interview show rather than narrative nonfiction. 

3) Plan vs Threads

In a similar vein, there needs to be balance between sticking to the questions you’ve prepared beforehand, and pulling at threads as they come up - following your interviewee’s lead. 

4) Preparation vs Reactivity 

Most producers probably don’t want to go into an interview blind - you want a reasonable amount of background info about the person you’re speaking to. On the other hand, getting tape of your own genuine reactions can be useful. It’s striking the right balance of doing just enough prep work. 

5) Storyteller vs Parrot 

This element of preparation goes for the guest too — and your pre-interview process will help you suss this out. You want a guest who can tell a good story, who knows how to grip an audience. But you definitely don’t want a guest who sounds rehearsed, telling a story for the hundredth time. 

How do you walk the interviewing tightrope? Let me know 💌


Events and more

♉ AIR New Voices ~ fellowship for underrepresented early-career talent ~ info session on 10 May; deadline to apply 15 May 

♉ Ableton Live: An introduction to Editing and Sound Design ~ Audiotrain online class ~ 23 May  

♉ Sound Scene Festival ~ 3-4 June ~ Washington DC

♉ Audio events at Tribeca Festival ~ 12-15 June ~ NYC


Jobs 

🐂 Audio producer ~ City Cast Pittsburgh ~ deadline 12 May 

🐂 Assistant audio producer ~ The Economist ~ London, UK

🐂 Live Wire Production Fellowship ~ Portland, OR ~ deadline 31 May  

🐂 Producer ~ StoryCorps ~ Brooklyn, NY ~ deadline 29 May 


What I’m listening to

🎧 WILD: new season of the LAist show — an immersive love story that sounds like nonfiction but isn’t.

🎧 Bodies: also a new season — the episode about touch is a beautiful thing. (Read my interview with creator Allison Behringer here).

🎧 Sound School Podcast: always entertaining way to keep up to date on audio production.


Thanks for reading audio storytellers! Appreciate your support by buying me a coffee or forwarding this newsletter to a friend.

1
Share this post

Walking the tightrope ⚖️

theaudiostoryteller.substack.com
Share
Comments
Top
New
Community

No posts

Ready for more?

© 2023 Clare Wiley
Privacy ∙ Terms ∙ Collection notice
Start WritingGet the app
Substack is the home for great writing